ased on the directors decision this "Digital Bruising FX" had to be added in postproduction since the whole scene was shot in one take. 3D Scanning the Actors Face, Object Tracking and 3D Painting bruises, while compositing the 3 Shots together created a serious pipeline for the resulting 4 seconds of film. Giordano Canova
supported "bigtime" with his wizardry to find leads in in this technically rather complicated mission. The results where pleasing and even more so the film, which will hit arthouse-cinemas around the world in less than 3 months. Make sure to see "Chrieg"
and check the "VFX - Behind the Scenes Video" below.